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Better File Handling Support for Albums is now available in most plug-ins. This feature works as follows: When you save an image to an Album, such as a 16-bit and 8-bit TIFF or JPEG, it will be saved using the system’s default quality settings. In Camera Raw, you can now access other quality settings by clicking the small gear icon in the Info window and choosing Use for this image. You can also access file conversions that were created with Photoshop or one of the other Photoshop applications.
Native support for all new RAW sensor formats from Sony and Fujifilm. With the added RAW support, users will be able to apply the same adjustments and transformations on RAW files from different cameras for cross-system editing.
Well, you will need to purchase additional service packs of Camera Raw to remove that limitation. It doesn’t appear that Adobe will allow you to remove the limitation when you upgrade to Camera Raw version 14.5 for free, but it may be possible for a paid individual user to do so by registering for a new Adobe account and editing the Adobe Camera Raw settings directly on your computer.
Other features of Adobe Camera Raw Download Free 14.5 are best described as premium. The priority of these new features is to make raw files handling more convenient and allow you to perform more in depth adjustments. Some of these features are available for free, while others require a paid subscription.
There are no other features of Camera Raw 14.5 that seem to be predicated on a subscription (other than the restricted access to previous versions of camera raw and Camera Raw features for the Creative Cloud members).
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Its been a while since I’ve made a post about Camera Raw . This time it’s not about a new feature, it’s about a change that I already mentioned months ago on social media, but everyone seem to just gloss over in their excitement about the new features.
I have been using the unsharp mask filter in Camera Raw for many years, and couldnt live without it. The first time I tried it after the change, I was amazed at how much better it worked. If you’ve not had the pleasure of using this feature, it works by filling a mask (layer) with a 100% black or white and then using the Crop tool (or drag on the canvas) to cut out the portion of the image you want to sharpen. You then have to make sure the brush is creating a mask by using the L key to turn the brush black (or white). This changes the opacity of the mask to 100% and creates a transparent layer which acts like a stencil to prevent what you draw in the mask from appearing as a regular layer. Its very simple and if you do it right, it can result in some very nice results, and if used correctly it doesnt make the image look overly sharp.
You’ll see a lot of this in the latest Adobe Lightroom for Apple Macs (4.4), and I’ll be posting an update to this review once I try LR with the latest native update, expected to be in a couple of weeks. But to be honest, given that LR isnt quite the real player that Camera Raw is, I think this blog has barely scratched the surface of what Camera Raw is capable of. More importantly, I think the simple fact that we’ve looked under the hood at how it works and how far its got to go will hopefully inspire at least some of us to work towards full GPU accelerated support by third-party applications.
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Camera raw settings are also available in Photoshop Standard/Photoshop Elements. If you import a raw image into Photoshop Elements, Camera Raw settings are also available for editing in the default application. If your camera raw file contains a strong correction profile, you might receive an alert dialog warning you not to overwrite the profile.You can choose to use the same settings in both Photoshop Standard and Photoshop Elements, or use separate Camera Raw settings. To do so, choose Edit > Preferences
You can choose to open files stored in the same folder as the camera raw file or in a different location. You can also control which folder is selected by default by setting the Select folder when opening files… option in the Save Panel. To select a specific folder, locate the folder you wish to use and choose Select. You will not be able to open files stored in the open folder if the folder does not contain a file with the Camera Raw Default Save setting. You can choose one of the following options in the Select camera raw default save location… drop-down menu:
The Camera Raw Default Save option allows you to choose whether to open raw files as thumbnails, with the full resolution image displayed, or with the full resolution image converted to a JPEG format. If you use multiple raw files with the same resolution, you can choose to display the full resolution version of the file.
Alt-H has been moved to Camera Window 6, but the Alt-H Keyboard Shortcut remains, but the new Camera Window 6 is pretty much a copy of that of Camera Window 5. Users will notice a change in tool behaviour as well as the addition of the new Select Content and Delete Content brushes. The selective tool behaves like it used to, but will only allow 100% of the image to be selected. The Select Content brush does exactly what its name suggests. It allows 100% of the image to be selected, but it will only show you the areas of the image that are relevant to the selection.
Adobe Camera Raw 14.5 System Requirements
- Mac OS X v.10.7.5 – 10.8
- Adobe Creative Suite CS4 Premium/CS4 Professional (And Adobe Lightroom 4)
- Adobe XD
Adobe Camera Raw 14.5 Features
- New Camera Raws Performance section in Camera Raw preferences
- Camera Raw now uses the PNG format
- The PNG format supports Adobe’s Portable Network Graphics format that has increased its maximum file size to 32 GB
- Support of the GIF format in the PNG format
- This new Camera Raw section of preferences enables you to specify how much memory is available on your GPU to use the Camera Raws performance feature.
- Warning that the Camera Raws performance feature can be very CPU and memory intensive
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