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Work with HDX-based Macs running macOS Big Sur. M1-based Macs can now work with HDX-DA, HDX-RT, and HDX-SDI 5.1.2. To support additional automation, audio monitoring, and secondary audio monitoring, the new Pro Tools HDX software includes an extended and improved automation interface. More third-party apps can work with HDX-based Macs with full support for the M1 and M2 industry-standard hardware proxy. The new version of Pro Tools also includes a new Sidecar Software.

Save time with a new web browser proxy that works with Pro Tools in real-time mode. Add web browser proxies for content sharing. And now, when you export a track from Pro Tools, you can insert a link or movie straight into the browser.

Improvements for 9.0 pro-level audio formats. Existing Pro Tools users can upgrade to the new Pro Tools 9 on a Mac as an in-place update. And, all new Pro Tools users can get Pro Tools 9 with the new Universal Audio plugin manager, which includes their favorite plug-ins.

Create multi-channel audio and video applications in your choice of formats. Record and edit audio and video with more tracks and channels than ever before. And, with improvements for the Avid Media Composer project files, you can work with any format and blend multiple projects into one seamlessly.

Engage more people to learn more about your work and your craft. Engage others with improved Avid Connect 2.1, available in a new downloadable version for Mac and Windows. Take part in a discussion thread and access a new community, or schedule a live session to meet with others in your industry. Earn certification points with courses offered through the Avid Learning Store.

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Pro Tools was known as Mainstage before acquiring Soundtools and Video Tools (as well as improving on those areas). However, it’s not updated at all for many years now and, in general, is not the best replacement for Logic or Cubase when it comes to live performance; it is used as more of a vocal or music-oriented sequencing environment. For that, though, it’s excellent.

Pro Tools’s MIDI features aren’t particularly good, either. MIDI is still largely a sequential recording environment. For more of a patch/programming/drag and drop environment, it’s fairly weak in comparison to Logic Pro or Cubase, at least in my experience. You still have to dive into Preferences for MIDI and Audio settings, and while you can add various MIDI controllers, they’re not intuitive or easy to use. MIDI notes and sequences are hard to drag into a project or to use for real-time editing. MIDI CCs are limited to 64, and MIDI Velocity isn’t a thing.

Avid has also added another powerful mid-priced version, the new Pro Tools Studio, which starts at $499 a year for one license and an audio interface. It offers 64 audio tracks, 64 instrument tracks, 64 Aux buses, and up to 32 simultaneous 8-track multitrack recording, and it adds 32 virtual instruments (including five new models), a new Pro Instrument slot to create, record, or mix sounds, and up to 80 Pro Expander plug-ins.

In addition to Studio, Avid has also released a mid-priced, entry-level version called Studio:X ($899), as well as the more expensive, more complicated Studio:X 16 ($1699), and Studio:X 24 ($2499). Studio:X offers the same 64 audio tracks, 64 instrument tracks, and up to 32 simultaneous 8-track multitrack recording as Studio, along with a host of new features. Studio:X 16 starts at $1499 and Studio:X 24 at $1999. However, unlike Pro Tools, you don’t get unlimited storage or sessions. They all come with a 5 gigabyte hard drive, which is huge. Also missing in all versions is multitrack recording. Users must use the included Avid Multitrack Audio Interface (MTAI) for recording.

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The production-level tools in Pro Tools are primarily in Mix. You’ll need to dig up a mixing board if you want to mix, and its interface is much less friendly to the average user, but as I said above, you can mix like a pro in it. The Mix window stays the same, but that means some are able to see it. I find it way better than its predecessor, the Mix window, but it’s not for everyone.

If you want to play audio (compressed/lossy) or MIDI through a computer, then Avid’s now-barebones Pro Tools Express line is for you. Track and Project, Comping, Tracks, Track FX, and Audio, along with MIDI, iMaschine, and MIDI FX, are all in the $9.

But what can you do once you’ve taken Pro Tools that is special or different from other DAWs? Avid’s Technical Support is unparalleled. The company has a dedicated “Pro Tools Experts” team, who are world renowned for their ability to help with product installations, developer issues, and even just resolving minor user issues. When it comes to troubleshooting hardware, there’s no higher priority than Avid’s tech-support engineers. At the same time, the company’s video-editing and graphics suites can be a lot of fun to play around with, but can get a little unwieldy. The easiest way to learn this system is to rent or borrow a copy of Pro Tools for a while. We’re guessing that once you’ve familiarized yourself with the software, you’ll be quite happy to spend even more money on your hardware, because you’ll actually understand how the “magic” works.

If you’ve already made the investment, Cracked Avid Pro Tools is becoming an even better platform to operate, with the big release of 64-bit compatibility and many of the improvements from the Logic Pro X platform that we’ve come to know and love.

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• “Center” sidechaining in Pro Tools 11
• “Generate Pitch” sidechaining algorithm and different options
• New sidechaining options for a2z, a2z2, and a2z4
• Eliminate dead spots in sidechaining
• A whole new sidechaining algorithm
• Improved compatibility and new import support

• New User Interface for lighting and expression methods
• New MIDI FX instruments and effects
• Improved Expression tools
• New controls for the brightness, contrast, and hue of video and audio color and parameters

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